Eton my heart out..

Unassuming exterior

Going straight out to buy a tatts ticket now that I've seen 4 Eton Court Heidelberg! Wow. Designed by Architect Charles Duncan and built in 1964, this home is a testament that good design - in terms of both layout and materials - will stand the test of time.

Not only is it in immaculate original condition thanks to the loving care provided by its one owner - it's also huge!! It's a similar design to a home I previously featured in Seymour Grove, Viewbank. Lots of pictures today as they are all so fabulous!

Beautifully detailed breakfast bar

The 50 year old kitchen is contemporary even by today's standards

Charles Duncan worked on quite a few influential homes in the Banyule area and was clearly influenced by the work of American architect Frank Lloyd Wright. You can see FLW's influence in the selection of materials, strong emphasis on the horizontal plane and stepping of the building to follow the contours of the land. 

Unusual pyramid-esque timber lined ceiling

Built in furniture & pelmet lighting in Master Bedroom

Mosaic tiles to family bathroom

Light flooded walkway to kids bedroom 'wing'

Fabulous original bunk rooms - just like a holiday house! (All images courtesy Nelson Alexander Ivanhoe)

Big thanks to KS for the tip off on this house!

Wacky Bachli

Its been a while since my last post but Spring has kept me busy checking out lots of cool mid-century homes in Banyule. 

MR and i took a stroll through the Golf Links park over the sunny weekend and stopped off at the inspection for 6-8 Bachli Court, Rosanna.

All current images courtesy Hocking Stuart Ivanhoe

We had often wondered what the house's story was. Although parts of the home seemed in keeping with the merchant style of the golf links estate, others seemed out of step, almost castle-like with angles and forms that aren't familiar to mid-century architecture. After an opportunity to walk through the house and a review of the floorplan, it was clear that the rear section with upper floor had been added at a later time. Although the materials used in the addition were sympathetic, the reworked ground floor had a disorienting layout of rooms. 

Floor Plan Hocking Stuart

After a little research online, I managed to find that the original house (House 'A') was designed by feted architect Charles Duncan and built in 1968-69. The open fire in the living room is entirely reminiscent of the one at 27-35 Seymour Drive, Viewbank so I should have twigged! There are even some photographs taken by Peter Willie in the State Library Archives showing what the original house looked like. Below I have paired the State Library photos with the current sale campaign photos. As you can see, some fairly substantial additions and changes have been made over the years but in line with the materials and character of the original design.

Original entry - Single level dwelling with garage set back from entrance. Dark exterior colour scheme.

Current entry - Upper floor added, garage brought forward.

Original Living - Trademark Charles Duncan fireplace. Beams painted dark.

Current Living - Mantle added to fireplace(?) Beams painted light. Brick planter box to LHS fireplace has been removed.

Original Living - Brick dividing wall between living room and kitchen.

Original kitchen - Small basic original kitchen space.

Current Entry/Dining Area - Probably original kitchen area where current entrance table is. Brick dividing wall between living room and original kitchen has been removed.

Original Rear of Home - Single level dwelling only

Current Side of Home - Taken from an adjacent angle but it shows how the home has dramatically changed form over the years.

Current Family Room/Kitchen - Wacky angles but sympathetic material palette to original parts of the home.

Current Ensuite - Strange 'Speedboat Bath' in very open plan ensuite! - Sympathetic material palette.

Seymour Spectacular

What a spectacular property to finish the week on! Wow, wow, wow!! And MR and I thought our garden was big! Try 6.75 undulating acres including banks of the Plenty River. 

27-35 Seymour Grove Viewbank is a short walk from the Lower Plenty Hotel (but hey, don't let that disuade you!) It was designed in the 60's by architect Charles Duncan who was the winner of the Royal Australian Institute of Architects (Vic.) Single House award (1965 for 4 Glenard Drive, Heidelberg) and was also involved in the Elliston Estate, Rosanna).

This superb mid-century house features extensive glazing, Daniel Robertson style bricks, original slate floors and that double sided open fireplace. Think I'll go check it out this weekend! 

Perfectly sited in the landscape

Yes, that double sided open fireplace!! Floating hearth, slate floors. Fab.

(Images courtesy Morrison Kleeman Real Estate)

A little more about Elliston Estate Rosanna

Yesterday I revealed my crush on Cremlin Court but today I thought I would post a little more information about Elliston Estate. It was actually named after the landscape designer Ellis Stones and includes the following streets;

Bachli, Cremin, Ferrier, Pickworth, Hartley, Nagle and Devlin Courts; Stanton, Crampton, Phillips and Von Nida Crescents; the west side of Finlayson Street; and Thompson Drive(all Rosanna)

Elliston Estate - now Rosanna Parklands

From Heritage Victoria:
Merchant Builders assembled a consultant team of award winning domestic architects in the domestic field to design 50 basic house plans. Each purchaser would work with the architect to achieve personal design requirements as amendments to the basic plan. Materials were limited to a specified range.

The architects consulted were:
* Charles Duncan (winner of the Royal Australian Institute of Architects (Vic.) Single House award for 1965 for the Williams House, 4 Glenard Drive, Heidelberg)
* Daryl Jackson and Evan Walker (later to win the RAIA (Vic.) Bronze Medal in 1970 for Lauriston Girls School, Malvern).
* David McGlashan and Neil Everist (winners of the RAIA (Vic.) 1968 Bronze Medal for the Reed House (Heide), Bulleen).
* Graeme C. Gunn (winner of RAIA (Vic.) Single House Award for 1966).

Merchant Building Pty Ltd's own landscape designer and Ivanhoe resident, Ellis Stones, created the general landscape concept and consulted with individual house owners on detailed design of the front gardens. The estate was named after him. The name of the adjacent open space has been changed from Ellison Park to Rosanna Parklands.

For this estate and for earlier smaller concepts, Merchant Builders Pty Ltd was given the RAIA (Vic.) Bronze Medal in the Robin Boyd Environment Award of 1972. Unfortunately Merchant Builders' involvement at Elliston was terminated in 1971 and the rest of the estate was sold for speculative development.


"The principal design philosophy for (Elliston) estate was the integration of the building and architectural professions to provide an integrated residential environment. Limited heterogeneity was stressed with personal home owner identity being expressed by house plan and finish selection, within a given framework. Housing estates in Columbia, Valencia and Reston in the United States and New Ash Green in England were cited as international precedents.

Ellis Stones stated the landscape philosophy ... 'Existing trees in the estate will be left wherever possible ... and any new trees planted will be native Australian trees. It will be a very informal design with no formal flower beds. The landscape must be strong and simple with one continuous flowing feeling.'


The concept embodied by Ellis Stones and the consulting architects was also not dissimilar to Walter Burley Griffin and Frank Lloyd Wright's planning philosophies, emphasising integration of built form and landscape. Full height glazing and courtyards were intended to integrate interior and exterior. The desire to eliminate footpaths by extending the united front garden to the kerb, relates to residential planning designs by Burley Griffin who conceived that front gardens should be communal parks to soften the impact of the built form as viewed from the road.
The cul-de-sac street form, limited materials and design choice, integrated with architect consultation and a limited range of materials were also concepts embodied in the Jennings' Beaumont Estate of 30 years before.
Natural stained finishes, clinker bricks and heavy beams continued the Wright influence at Elliston, which had been popularised in Victoria by Charles Duncan. The vogue for private courtyards, either fully or semi enclosed, was another repeating theme. Additional features embodied into the design of dwellings include wide overhanging eaves, pergolas or slatted sunshades, and full height windows facing north."